


The books mascot Viking Zombie Elvis, who opens and closes each book has made the leap from the printed page to (undead) life in the shlock mock rock doc "Paul Hammond's Rumours of Ragnorok? a Historiography" Each issue features stand-alone stories in comic and written form side to side with serialized stories which will run across several books ("F***ing Savages", "The Wormcast", "Necromachia", "Machivarious Point", etc.), and art galleries.

This gives the book a well defined structure wherein creators' stories can be presented contained within each sub-genre. Each book follows a thematic and chronological structure: "Fantastic" (the fantasy part), "Gothic" (modern day fantasy and horror), and "Future Science" (science fiction). Event Horizon is a quarterly anthology publication showcasing the best in fantasy, horror, and sci-fi, both in comic form and short (illustrated) prose stories. Its tagline "21st Century Pulp Fiction" describes it best. “What we're talking about is collecting the stories produced over the year in "Four Feet From a Rat", possibly with extra all-new content, and putting them into a trade paperback,” he said.Event Horizon is Mam Tor's flagship title. They're all very tight three- or four-page tales of the unexpected, not unlike early 2000AD.”Īccording to Sharp, there are plans to collect the stories into a single book later on. And "Don Pigeone" tells the formerly unheard story of the city's indigenous pigeon population, their trials and triumphs, through the warped eye of Kev Crossley. "Routemaster" is a fantastic little horror story set on London buses with a really inspired central character designed by Dave Kendall. Chris Weston’s, "The Little Guy", is the first part of a two-part story set in the near future, where corporations rule with an iron fist. “"The Crane Gods" is set in the future in a flooded London where alien anthropologists are piecing together the human story. “The comic will be appearing on March 19th, and every story really has London as it's protagonist,” he continued. On teaming up with Mother, Sharp said that “This is a great chance to take this kind of work to a whole new audience. All the scripts were provided by Mother.Įach issue of Time Out contains information about events in film, theatre, fashion, literature and all other artistic local events happening, as well as eat out and night out sections.

It's called "Four Feet From a Rat" and features four London-centric stories "The Crane Gods" illustrated by Liam Sharp, "The Little Guy" by Chris Weston, "Routemaster" by Dave Kendall, and "Don Pigeone" by Kev Crossley. to produce a 16-page quarterly comic inside the London edition of Time Out magazine. has collaborated with Mother (London) Advertising Ltd.
